Blair Foley
Design & Animation Lead,
Arke Agency

from Stephen Sondheim
NEWS
Blair Foley
Design & Animation Lead,
Arke Agency
In this article, Blair, Arke’s Design and Animation Lead dives into how content, simplicity, and detail shape stronger creative strategy and more effective marketing.
I’m a big believer in lateral thinking. When considering what personal principles I use in my daily design practice, I find myself pulling less and less from my uni days for guidance. For me, they actually come from the theatre; specifically from the late, great Stephen Sondheim.
At first glance, musical theatre and digital marketing may seem unrelated. In practice, the connection is surprisingly useful.
What does a guy who wrote songs about people ground up into pies and a presidential assassin review have to do with a digital marketing agency like Arke? The answer is: everything!
Sondheim had three guiding principles for his work. They are deceptively simple, but when you apply them to the chaos of digital marketing, they act as a perfect compass for both strategy and creative, or as Arke likes to call it: our North Star.
This was Sondheim’s golden rule. He didn’t just write “songs.” He built musical structures that reflected and served the story. Take A Little Night Music for example. The entire show is famously written in waltz time. Every song is a variation of a triple meter (3/4 or 6/4).
Why? Well outside of being period appropriate for turn of the century Sweden, the content of the show is about different love triangles perpetually switching romantic partners. A waltz is a dance set to ¾ time between two people, perpetually switching partners. The “form” of the music is a direct result of the “content” of the plot.
When I sit down at my desk, my first question is never “what looks good?” – It’s “what is the story?”
In my work at Arke, this is the antidote for the “design for design’s sake” trap.
The most effective creative starts with the message, the audience, and the outcome we need to drive. For example, if we are working with a geospatial technology brand such as Envitia, the form needs to feel precise, modern, and credible because the subject matter demands clarity and confidence. In another sector, the creative language may shift, but the principle stays the same: the form should always serve the story.
That is what separates a good agency’s work from middle of the road work. We are translating a brand’s core message into creative that audiences can recognise, trust, and act on.
Sondheim was the master of finding the “perfect” word. His lyric writing style was as economical as it was “syllabic” – meaning each of the words sits perfectly on the notes of the music – while also somehow simultaneously adhering to an internal / external rhyming scheme. He would spend weeks agonising over a single syllable to make sure a line hit exactly right – these restrictions often lead to some unexpected creative choices. Rhyming “personable” with “coercin’ a bull” or “While her withers wither with her”. Crazy, I know. This ensured that there was no opportunity for an audience to misunderstand a lyric. He knew that clutter is the enemy of clarity.
As digital marketers, we are constantly fighting for attention in a world that is incredibly loud. If a message is going to hit, it needs to be clear, it needs to be succinct, and it needs to have a personality. The temptation to gush about all of the USPs of a brand or service will inevitably crush your creativity. Conversely, not utilising enough optimised language will affect your SEO rankings. You need to strike a balance, and bring things back to your core message. A “less Is More” approach is where the real power lies.
What is the core message driving the campaign? Is it serving your brand and goals? Is it being communicated in the most effective way possible? It takes a lot of confidence to leave space on a page, but that confidence is exactly what our clients rely on us for. We aren’t just decorators. We are editors!
This is the one that keeps me up at night. I’m a perpetual tinkerer, I would move elements pixel by pixel for hours if I didn’t have a deadline to work to. For Sondheim, a detail wasn’t just a “nice to have.” It was the anchor of the work.
The show Sunday in the Park with George is all about the struggles of creative work. In the song “Putting It Together,” the character George describes the creative process as an accumulation of tiny, deliberate actions: “Bit by bit, putting it together… Every little detail plays a part.” He understood that the “whole” is just a collection of microscopic choices that either harmonise or clash. This is a concept reflected in the show’s music, story and theme.
In graphic design, this is the difference between a good project and a transformative one. It’s the kerning between two letters that no one else notices. It’s the way a hex code matches up with the CMYK on a style guide. It’s about ensuring that the user journey on a landing page is so seamless that the customer doesn’t even realise they’re being guided.
When we get the details right, we build trust. If a potential lead sees a pixelated logo or a broken link, it can quickly reduce trust in the brand.. But when every single detail is accounted for, it signals that the brand is professional, thoughtful, and authoritative.
That’s curtains! I take pride in the work that I do at Arke. Even though the lifespan of the campaigns I build may be finite, they burned bright while they were alive!
Art isn’t easy, as the man himself said. But when you let the content dictate the form, keep things simple, and obsess over the details, you end up with something that doesn’t just look great. It actually is great.
Are you ready to take your creative strategy to the next level? have a look at our creative services and let’s elevate your brand storytelling!
Got a mission for us? The Arkenauts are all ears! Book a call, drop your brief or enquiry into our digital portal, and we’ll be in touch straight away!